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Tips
for Poets
Observation
Accuracy
of observation is the equivalent of accuracy of thinking.
Wallace Stevens
All of us are watchers — of television, of time clocks, of traffic on
the freeway — but few are observers. Everyone is looking, not many are
seeing.
Peter M. Leschak
I studied
poetry for many years with noted anthologist and poet, Myra Cohn
Livingston. At the beginning of each class she didn't lecture — she
sent us outside — to observe and to write. She wanted us to learn to
look closely at the world around us and to understand that
observation is a powerful tool for a writer.
Has this every happened to you: You walk by
something every day and never notice it? Never stop to
really look at it? It happens to me all the time and I'm surprised at
what I see when I do stop and look closely. It could be anything: a
tree, a crack in the sidewalk, a bird under a bush, a pile of snow,
something on a roof, or clouds.
When we went outside to write, Myra had us
divide our paper into two columns. One column was labeled
"Observation" and the other was labeled
"Feelings and Reactions." Try this technique: Choose something to observe at school
or home and write about it for ten minutes, using a worksheet like the
one below. Ten minutes will seem like a long
time, but keep writing. I think you just might be surprised at what
you discover.
Let's practice
observation skills using a photograph and an observation worksheet:
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What can we say about this cracked sidewalk?
Use all of your senses: sight, feeling, smell, hearing. (I
wouldn't recommend tasting it, however!)
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OBSERVATION
Part of it looks wet
Spotted - mottled?
Many shades of gray
Looks like a jigsaw puzzle
Jagged edges
Cracks are almost black
Cracks are crooked
Cool to touch
Feels damp
See a strange face
Smells like rain
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FEELINGS & REACTIONS
Broken, sad
Freeway for ants
Grey feels lonely
So many footsteps
What made it crack?
My front porch looks like this
I tripped on broken concrete and skinned my knees
An awful fight with my best friend
I'm having trouble in math
I want to learn to make art |
| Next, use some of your
ideas from your Observation Worksheet to write your first rough draft:
FIRST ROUGH DRAFT
Jagged cracks in the sidewalk
jigsaw of broken concrete.
Thousands of feet hurrying past
no one stopping
no one noticing
cold, gray beauty.
Well, that's not a great poem, but it's a start. (That's why we call them "rough drafts.")
What would you write about this cracked sidewalk?
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| Now, practice your
observation skills with this squirrel: |
What if you looked out your classroom
window and saw this squirrel?
Start with an Observation Worksheet!
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| After you've finished your worksheet, think
about the different types of
poems you might write about a squirrel. Here are a few ideas:
1. Write a narrative
poem in which you describe the squirrel and its world.
2. Write a "mask poem"
and pretend that you are the squirrel, using first person such
as "I," "me," "mine," etc. What
does a squirrel have to say about his world? What does he
dream about?
3. Write an "apostrophe poem"
in which you speak directly to the squirrel. What will you
tell that squirrel? Will you ask him questions?
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Have fun! Read your work out loud as you go along. (I
know that sounds silly, but it really does help!) Write lots of drafts
until your poem is exactly how you want it to be.
Here are some books on writing poetry that you might like:
Poem-Making:
Ways to Begin Writing Poetry by Myra Cohn Livingston - good
sections on mask and apostrophe poems
Poetry
Matters: Writing a Poem from the Inside Out by Ralph
Fletcher
You might also take a look at
Student
Poets for links to different sites that publish student poetry,
offer writing advice, or give you an opportunity to read poetry
written by other students. |
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