Tips for Poets
Observation


Accuracy of observation is the equivalent of accuracy of thinking.    
                                                       Wallace Stevens


All of us are watchers — of television, of time clocks, of traffic on the freeway — but few are observers. Everyone is looking, not many are seeing. 
  
                                                        Peter M. Leschak

     I studied poetry for many years with noted anthologist and poet, Myra Cohn Livingston. At the beginning of each class she didn't lecture — she sent us outside — to observe and to write. She wanted us to learn to look closely at the world around us and to understand that observation is a powerful tool for a writer.

     Has this every happened to you: You walk by something every day and never notice it? Never stop to really look at it? It happens to me all the time and I'm surprised at what I see when I do stop and look closely. It could be anything: a tree, a crack in the sidewalk, a bird under a bush, a pile of snow, something on a roof, or clouds.

     When we went outside to write, Myra had us divide our paper into two columns. One column was labeled "Observation" and the other was labeled "Feelings and Reactions." Try this technique: Choose something to observe at school or home and write about it for ten minutes, using a worksheet like the one below. Ten minutes will seem like a long time, but keep writing. I think you just might be surprised at what you discover.


Let's practice observation skills using a photograph and an observation worksheet:


What can we say about this cracked sidewalk?

Use all of your senses: sight, feeling, smell, hearing. (I wouldn't recommend tasting it, however!)


Observation Worksheet

OBSERVATION

Part of it looks wet
Spotted - mottled?
Many shades of gray
Looks like a jigsaw puzzle
Jagged edges
Cracks are almost black
Cracks are crooked
Cool to touch
Feels damp
See a strange face
Smells like rain
FEELINGS & REACTIONS

Broken, sad
Freeway for ants
Grey feels lonely
So many footsteps
What made it crack?
My front porch looks like this
I tripped on broken concrete and skinned my knees
An awful fight with my best friend
I'm having trouble in math
I want to learn to make art
Next, use some of your ideas from your Observation Worksheet to write your first rough draft:

 

FIRST ROUGH DRAFT

Jagged cracks in the sidewalk
jigsaw of broken concrete.
Thousands of feet hurrying past
     no one stopping
     no one noticing
     cold, gray beauty.

Well, that's not a great poem, but it's a start. (That's why we call them "rough drafts.") 

What would you write about this cracked sidewalk?



 

Now, practice your observation skills with this squirrel:
  

What if you  looked out your classroom window and saw this squirrel? 

Start with an Observation Worksheet!

After you've finished your worksheet, think about the different types of poems you might write about a squirrel. Here are a few ideas:

1. Write a narrative poem in which you describe the squirrel and its world.

2. Write a "mask poem" and pretend that you are the squirrel, using first person such as "I," "me," "mine," etc. What does a squirrel have to say about his world? What does he dream about?

3. Write an "apostrophe poem" in which you speak directly to the squirrel. What will you tell that squirrel? Will you ask him questions?

 


Have fun! Read your work out loud as you go along. (I know that sounds silly, but it really does help!) Write lots of drafts until your poem is exactly how you want it to be.

Here are some books on writing poetry that you might like:

Poem-Making: Ways to Begin Writing Poetry by Myra Cohn Livingston - good sections on mask and apostrophe poems

Poetry Matters: Writing a Poem from the Inside Out  by Ralph Fletcher

You might also take a look at Student Poets for links to different sites that publish student poetry, offer writing advice, or give you an opportunity to read poetry written by other students.

 

 
E-Mail!I've got the mail!  (From Little Dog Poems. Copyright 1999 June Otani.)
 

 

 


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